The Conversations: Walter Murch and the Art of Editing Film. Michael Ondaatje

The Conversations: Walter Murch and the Art of Editing Film


The.Conversations.Walter.Murch.and.the.Art.of.Editing.Film.pdf
ISBN: 9780375709821 | 368 pages | 10 Mb


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The Conversations: Walter Murch and the Art of Editing Film Michael Ondaatje
Publisher: Knopf Doubleday Publishing Group



Watched it twice last week, and now I'm reading "The Conversations / Walter Murch and the art of editing film" by Michael Ondaatje. While editing The Unbearable Lightness of Being in France, Academy Award-winning film editor and sound designer Walter Murch came across a reference to Italian writer Curzio Malaparte's description of horses being suddenly flash frozen . And being the girl who's never been taught to be where she is, I've already made a second list. From the conversations: walter murch and the art of editing (michael ondaatje) - knopf - 2002. The recording, processing, editing and mixing of sound effects, including “on screen”, Foley, and background sound effects, is often managed by a sound designer. I used some of that noise in the finished film; as noise, it's very good. Ondaatje is also the author of The Conversations: Walter Murch & The Art Of Editing Film, an invaluable non-fiction work that explores the uniquely powerful role of the editor within the creative process of filmmaking. According to Walter Murch — the first person to be credited the title in recognition of his contribution to the film Apocalypse Now (Coppola 1979) — the role of the sound designer is to take care of the overall treatment of sound in film (Thom 1998, 122). Watched it last week with Brian. In The Conversations you talk about the lead role of Apocalypse Now being originally shot with Harvey Keitel, and how that was a totally different film because when you look at Keitel it's not about watching him observe things. I highly recommend reading 'The Conversations: Walter Murch and the Art of Editing Film' by Michael Ondaatje.





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